Vol. 2 No. 3.1 (2013): Nº 3.1, Junio 2013. Número Extraordinario. Arte, Arquitectura, Comunicación y Ciudad: Interacciones y Diálogos

View Vol. 2 No. 3.1 (2013): Nº 3.1, Junio 2013. Número Extraordinario. Arte, Arquitectura, Comunicación y Ciudad: Interacciones y Diálogos

DOI: https://doi.org/10.22530/ayc.2013.N3.1

Published: 2013-06-01

Artículos

Sección III. Ciudad, Arquitectura y Patrimonio
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Portada - Sumario - Página de Presentación
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Sección II. Ciudad y Artes Plásticas
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How to Write a Cultural History: Madrid, 1900-1936

Eduard Baker

19-30
Instantaneity and Stereoscopy: The Photographic Journey through Spain by the Parisian Company J. Lévy et Cie at the End of the 19th Century

José Antonio Hernández Latas

31-58
Towards an urban cultural geography: Madrid, 1925-1936

Susan Larson

59-68
Urban Development as an Expression of Modernity in the Documentary Film Genre of Late Francoism

Fernando Sanz Ferreruela, Francisco Javier Lázaro Sebastián

69-84
The Indiscreet Windows of Michael Wolf: A Look at the City through the Eye of the House

Mafalda Riveiro Gozálvez

85-94
Steinberg City: Cartography of a Metropolis

María Jesús Muñoz Pardo, Luis García Gil

95-114
VBP. Valparaíso, Mumbai, Persepolis

Iván Alberto Méndez Olivares

115-122
Visions of Marseille, from Moholy to Muntadas

Javier Pérez Segura

123-134
Reinvention of Territory Brands through Event Organization: Cuenca and Its Paleontological Wealth

Cristina González Oñate, Sonia Martínez Bueno

153-170
Approach to an Iconographic Analysis: Berlin, Symphony of a Great City and Pictorial Post-Expressionism

Ángel Sancho Rodríguez

171-184
The Cities of Castilla-La Mancha in the Journey of Andrea Navagero

Verónica Gijón Jiménez

185-198
The Aesthetics of Rebellion: From Situationism to Squatting

Rafael Gómez Alonso

199-214
Urban Cultural Studies: An Interdisciplinary Approach

Miguel Ángel Chaves Martín

215-224
A Brief History of the Modern Madrid Shop Window

Humberto Huergo Cardoso

227-258
Canarian Artists in Madrid: The Capital as a Formative, Professional and Creative Stimulus. A Look at Their Contributions

María Dolores Arroyo Fernández

259-288
One Hundred Years, the Same Place: National Museum of Contemporary Art in the Historic Chiado Neighbourhood (1911-2011)

Helena Barranha

289-308
Art and Urban Activism in the Eighties: The Sin Larios Project by Agustín Parejo School

Maite Méndez Baiges

309-326
The City as Text and Pretext. From Metropolitan Aesthetics to Contemporary Artistic Practices

José Gaspar Birlanga Trigueros

327-348
The 1939 New York International Exhibition: Art, Architecture and Politics in the Failure of the 'World of Tomorrow'

Idoia Murga Castro

349-366
Spatial Appropriations of Dance: From Private Space to Public Space

Marta Llorente Pascual

367-384
Inhabiting the City? An Approach to the Urban Experience from Contemporary Artistic Practice

María Gil Orive

385-402
Landscape and Academy: Artistic Teachings at the Turn of the Century

Elisa Povedano Marrugat

403-424
The Experience of Including Ephemeral Art in Madrid through Regulated Institutions. Madrid Abierto, 2004-2011

Lucila Urda Peña

425-438
From the Peñaflor Mural to the Santiago Metro: Sixty Years of Vitreous Mosaic in Chile

Rodrigo Vera Manríquez

439-454
Towards a Relational Autonomy: Contemporary Urban Cultural Movements

Carlos Martínez-Arrarás Caro, Antonio Rabazas Romero, María Teresa Angulo Delgado, Denica Veselinova Sabeva

455-470
Drifts of Memory. A Biocartography of Madrid. Inquiry into the Methodologies of Understanding the City from Subjective Experience

Carlos Martínez-Arrarás Caro, Antonio Rabazas Romero, Denica Veselinova Sabeva, María Teresa Angulo Delgado

471-490
The Nomadic Artists of the Balkans. The Panorama of Emerging Contemporary Art in the Balkans and Its Migration To and From the World

Carlos Martínez-Arrarás Caro, Antonio Rabazas Romero, Denica Veselinova Sabeva, María Teresa Angulo Delgado

491-506
Project Nobody: Case Study of an Artistic Intervention in the Spaces of Tabacalera and Matadero-Madrid

Carlos Martínez-Arrarás Caro, Antonio Rabazas Romero, Denica Veselinova Sabeva, María Teresa Angulo Delgado

507-522
Inhabiting Migration

Célia Riboulet

523-538
Horticultural Installations. Beautifying the City

Jorge Gallego Sánchez-Torija

539-556
Aliseda 18. Muralism through Citizen Participation for Urban Recovery

María Antonia Fernández Nieto, Eduardo Zamarro Flores

557-567
Wall Illustrators in Madrid

Amelia Meléndez

569-586
From Montparnasse to Île Seguin. From Past to Future through Two Parisian Artistic Neighbourhoods

María del Pilar Aumente Rivas

587-608
Artistically Intervened Neighbourhoods during Late Francoism

Isabel García García

611-640
Urban Landscapes of Industry: Aesthetic Appropriations and Heritage Conservation

Ángeles Layuno Rosas

641-678
The Towers of the Walls of Segovia

Miguel Ángel Martín Blanco

679-696
References to the Monastery of El Escorial in the Urban Transformation of Madrid. The Aesthetics of Power in the 20th Century

Francisco Daniel Hernández Mateo

697-718
The Revitalization of the Historic City through Heritage Rehabilitation

María Lourdes Gutiérrez Carrillo

719-732
Between Tiles and Grilles, Between Art and Architecture: Ornament in the City and on the Border

Fernanda Guimaraes Goulart

733-743
Industrial Heritage Converted into a Museum: The Case of the IAACC Pablo Serrano in Zaragoza

Elena Marcén Guillén

745-763
Urban Towers of the City of Segovia. A Comparative Silhouette Analysis

Ana M. Escobar Rodríguez

765-780
The Recovery and Revaluation of Industrial Heritage in Lyon (France). The Intervention at Port Rambaud

Sergio García Gómez

781-798
Continuous Conditions: Two Notes on the Work and City of Álvaro Siza

Fernando Moral de Andrés

799-818
Alejandro Zohn Rosenthal. Materials, Forms and Imaginaries of Modern Architecture in Guadalajara (Mexico)

Juan López García

819-834
José Luis Sánchez and Luis Cubillo: Between the Romanesque and the Avant-Garde

Jesús García Herrero

835-846
Artistic and Urban Contributions of Engineer Ortega Douglas in the City of Aguascalientes, Mexico (1948-1969)

Alejandro Acosta Collazo

847-860
Public Spaces: Aquatic Spaces

Carolina González Vives

861-872
Considerations on Appraisal Work in Valladolid Architecture of the Second Half of the 19th Century

Francisco Javier Domínguez Burrieza

873-892
Commercial Architecture, Creation and Destruction in the Contemporary City: The Case of Oviedo (Asturias)

José María Rodríguez-Vigil Reguera

893-910
The Reversal of the Triple Personality of Paris in Funny Face (Stanley Donen, 1957): The Predominance of the Tourist Vision of the City

Mónica Tovar Vicente

135-152
Art, Architecture, Communication and City: Interactions and Dialogues

María del Pilar Aumente Rivas, Carlos Pérez Reyes

9-16