Vol. 2 No. 3.1 (2013): Nº 3.1, Junio 2013. Número Extraordinario. Arte, Arquitectura, Comunicación y Ciudad: Interacciones y Diálogos

Artículos

• Sección III. Ciudad, Arquitectura y Patrimonio

  • PDF (Spanish)

• Portada - Sumario - Página de Presentación

  • PDF (Spanish)

• Sección II. Ciudad y Artes Plásticas

  • PDF (Spanish)

• How to Write a Cultural History: Madrid, 1900-1936

  Eduard Baker

  19-30

  • PDF (Spanish)

• Instantaneity and Stereoscopy: The Photographic Journey through Spain by the Parisian Company J. Lévy et Cie at the End of the 19th Century

  José Antonio Hernández Latas

  31-58

  • PDF (Spanish)

• Towards an urban cultural geography: Madrid, 1925-1936

  Susan Larson

  59-68

  • PDF (Spanish)

• Urban Development as an Expression of Modernity in the Documentary Film Genre of Late Francoism

  Fernando Sanz Ferreruela, Francisco Javier Lázaro Sebastián

  69-84

  • PDF (Spanish)

• The Indiscreet Windows of Michael Wolf: A Look at the City through the Eye of the House

  Mafalda Riveiro Gozálvez

  85-94

  • PDF (Spanish)

• Steinberg City: Cartography of a Metropolis

  María Jesús Muñoz Pardo, Luis García Gil

  95-114

  • PDF (Spanish)

• VBP. Valparaíso, Mumbai, Persepolis

  Iván Alberto Méndez Olivares

  115-122

  • PDF (Spanish)

• Visions of Marseille, from Moholy to Muntadas

  Javier Pérez Segura

  123-134

  • PDF (Spanish)

• Reinvention of Territory Brands through Event Organization: Cuenca and Its Paleontological Wealth

  Cristina González Oñate, Sonia Martínez Bueno

  153-170

  • PDF (Spanish)

• Approach to an Iconographic Analysis: Berlin, Symphony of a Great City and Pictorial Post-Expressionism

  Ángel Sancho Rodríguez

  171-184

  • PDF (Spanish)

• The Cities of Castilla-La Mancha in the Journey of Andrea Navagero

  Verónica Gijón Jiménez

  185-198

  • PDF (Spanish)

• The Aesthetics of Rebellion: From Situationism to Squatting

  Rafael Gómez Alonso

  199-214

  • PDF (Spanish)

• Urban Cultural Studies: An Interdisciplinary Approach

  Miguel Ángel Chaves Martín

  215-224

  • PDF (Spanish)

• A Brief History of the Modern Madrid Shop Window

  Humberto Huergo Cardoso

  227-258

  • PDF (Spanish)

• Canarian Artists in Madrid: The Capital as a Formative, Professional and Creative Stimulus. A Look at Their Contributions

  María Dolores Arroyo Fernández

  259-288

  • PDF (Spanish)

• One Hundred Years, the Same Place: National Museum of Contemporary Art in the Historic Chiado Neighbourhood (1911-2011)

  Helena Barranha

  289-308

  • PDF (Spanish)

• Art and Urban Activism in the Eighties: The Sin Larios Project by Agustín Parejo School

  Maite Méndez Baiges

  309-326

  • PDF (Spanish)

• The City as Text and Pretext. From Metropolitan Aesthetics to Contemporary Artistic Practices

  José Gaspar Birlanga Trigueros

  327-348

  • PDF (Spanish)

• The 1939 New York International Exhibition: Art, Architecture and Politics in the Failure of the 'World of Tomorrow'

  Idoia Murga Castro

  349-366

  • PDF (Spanish)

• Spatial Appropriations of Dance: From Private Space to Public Space

  Marta Llorente Pascual

  367-384

  • PDF (Spanish)

• Inhabiting the City? An Approach to the Urban Experience from Contemporary Artistic Practice

  María Gil Orive

  385-402

  • PDF (Spanish)

• Landscape and Academy: Artistic Teachings at the Turn of the Century

  Elisa Povedano Marrugat

  403-424

  • PDF (Spanish)

• The Experience of Including Ephemeral Art in Madrid through Regulated Institutions. Madrid Abierto, 2004-2011

  Lucila Urda Peña

  425-438

  • PDF (Spanish)

• From the Peñaflor Mural to the Santiago Metro: Sixty Years of Vitreous Mosaic in Chile

  Rodrigo Vera Manríquez

  439-454

  • PDF (Spanish)

• Towards a Relational Autonomy: Contemporary Urban Cultural Movements

  Carlos Martínez-Arrarás Caro, Antonio Rabazas Romero, María Teresa Angulo Delgado, Denica Veselinova Sabeva

  455-470

  • PDF (Spanish)

• Drifts of Memory. A Biocartography of Madrid. Inquiry into the Methodologies of Understanding the City from Subjective Experience

  Carlos Martínez-Arrarás Caro, Antonio Rabazas Romero, Denica Veselinova Sabeva, María Teresa Angulo Delgado

  471-490

  • PDF (Spanish)

• The Nomadic Artists of the Balkans. The Panorama of Emerging Contemporary Art in the Balkans and Its Migration To and From the World

  Carlos Martínez-Arrarás Caro, Antonio Rabazas Romero, Denica Veselinova Sabeva, María Teresa Angulo Delgado

  491-506

  • PDF (Spanish)

• Project Nobody: Case Study of an Artistic Intervention in the Spaces of Tabacalera and Matadero-Madrid

  Carlos Martínez-Arrarás Caro, Antonio Rabazas Romero, Denica Veselinova Sabeva, María Teresa Angulo Delgado

  507-522

  • PDF (Spanish)

• Inhabiting Migration

  Célia Riboulet

  523-538

  • PDF (Spanish)

• Horticultural Installations. Beautifying the City

  Jorge Gallego Sánchez-Torija

  539-556

  • PDF (Spanish)

• Aliseda 18. Muralism through Citizen Participation for Urban Recovery

  María Antonia Fernández Nieto, Eduardo Zamarro Flores

  557-567

  • PDF (Spanish)

• Wall Illustrators in Madrid

  Amelia Meléndez

  569-586

  • PDF (Spanish)

• From Montparnasse to Île Seguin. From Past to Future through Two Parisian Artistic Neighbourhoods

  María del Pilar Aumente Rivas

  587-608

  • PDF (Spanish)

• Artistically Intervened Neighbourhoods during Late Francoism

  Isabel García García

  611-640

  • PDF (Spanish)

• Urban Landscapes of Industry: Aesthetic Appropriations and Heritage Conservation

  Ángeles Layuno Rosas

  641-678

  • PDF (Spanish)

• The Towers of the Walls of Segovia

  Miguel Ángel Martín Blanco

  679-696

  • PDF (Spanish)

• References to the Monastery of El Escorial in the Urban Transformation of Madrid. The Aesthetics of Power in the 20th Century

  Francisco Daniel Hernández Mateo

  697-718

  • PDF (Spanish)

• The Revitalization of the Historic City through Heritage Rehabilitation

  María Lourdes Gutiérrez Carrillo

  719-732

  • PDF (Spanish)

• Between Tiles and Grilles, Between Art and Architecture: Ornament in the City and on the Border

  Fernanda Guimaraes Goulart

  733-743

  • PDF (Spanish)

• Industrial Heritage Converted into a Museum: The Case of the IAACC Pablo Serrano in Zaragoza

  Elena Marcén Guillén

  745-763

  • PDF (Spanish)

• Urban Towers of the City of Segovia. A Comparative Silhouette Analysis

  Ana M. Escobar Rodríguez

  765-780

  • PDF (Spanish)

• The Recovery and Revaluation of Industrial Heritage in Lyon (France). The Intervention at Port Rambaud

  Sergio García Gómez

  781-798

  • PDF (Spanish)

• Continuous Conditions: Two Notes on the Work and City of Álvaro Siza

  Fernando Moral de Andrés

  799-818

  • PDF (Spanish)

• Alejandro Zohn Rosenthal. Materials, Forms and Imaginaries of Modern Architecture in Guadalajara (Mexico)

  Juan López García

  819-834

  • PDF (Spanish)

• José Luis Sánchez and Luis Cubillo: Between the Romanesque and the Avant-Garde

  Jesús García Herrero

  835-846

  • PDF (Spanish)

• Artistic and Urban Contributions of Engineer Ortega Douglas in the City of Aguascalientes, Mexico (1948-1969)

  Alejandro Acosta Collazo

  847-860

  • PDF (Spanish)

• Public Spaces: Aquatic Spaces

  Carolina González Vives

  861-872

  • PDF (Spanish)

• Considerations on Appraisal Work in Valladolid Architecture of the Second Half of the 19th Century

  Francisco Javier Domínguez Burrieza

  873-892

  • PDF (Spanish)

• Commercial Architecture, Creation and Destruction in the Contemporary City: The Case of Oviedo (Asturias)

  José María Rodríguez-Vigil Reguera

  893-910

  • PDF (Spanish)

• The Reversal of the Triple Personality of Paris in Funny Face (Stanley Donen, 1957): The Predominance of the Tourist Vision of the City

  Mónica Tovar Vicente

  135-152

  • PDF (Spanish)

• Art, Architecture, Communication and City: Interactions and Dialogues

  María del Pilar Aumente Rivas, Carlos Pérez Reyes

  9-16

  • PDF (Spanish)