Vol. 10 No. 20 (2021): Número 20 Octubre de 2021

DOI: https://doi.org/10.22530/ayc.2021.20

Published: 2022-05-30

Artículos

• Toward an expanded concept of landscape. The construction of the contemporary landscape

  María Isabel Alba Dorado

  7-32

  • HTML (Spanish)
  • JATS XML (Spanish)
  • PDF (Spanish)

• The abstract forest and beehive. Conceptual convergences between the Serpentine Gallery pavilion by Sou Fujimoto and the UK pavilion by Wolfgang Buttress

  Ricardo Chaves Hernández

  33-58

  • HTML (Spanish)
  • JATS XML (Spanish)
  • PDF (Spanish)

• Displayed families, conflicting tribes, overdressed city: Santander, from the Centro Botín

  Javier Gómez Martínez

  59-86

  • HTML (Spanish)
  • JATS XML (Spanish)
  • PDF (Spanish)

• The bust of Pablo Iglesias in Puente Genil

  Rubén Serrano Ruz

  87-100

  • HTML (Spanish)
  • JATS XML (Spanish)
  • PDF (Spanish)

• The Displacement of Art: The Emptiness of Museums and the Ephemeral Art Production on the Streets

  Luiz Sérgio de Oliveira

  101-118

  • HTML (Spanish)
  • JATS XML (Spanish)
  • PDF (Spanish)

• A Roman villa for Goya: the avatars that transformed a classic project into the first icon of Spanish rationalism (1926-1928)

  Miguel Ángel Ruano Hernansanz

  119-152

  • HTML (Spanish)
  • JATS XML (Spanish)
  • PDF (Spanish)

Reseñas

• Las murallas de Segovia Proceso histórico constructivo

  Miguel Ángel Chaves Martín

  155-159

  • HTML (Spanish)
  • JATS XML (Spanish)
  • PDF (Spanish)

• Imago Urbis Las ciudades españolas vistas por los viajeros (siglos XVI-XIX)

  Miguel Ángel Chaves Martín

  161-164

  • HTML (Spanish)
  • JATS XML (Spanish)
  • PDF (Spanish)