VBP. Valparaíso, Mumbai, Persepolis

Abstract

From a case of theft of cattle, the putting is stru ctured in picture of Valparaiso, my love (1968), movie that views and investigates respect o f the situation of poverty and abandon of children of the city port such as paradigm of th e social, political and cultural inequities from Chile of 60´s. For its part, the bitter poetic s of Saalam Bombay (1988) -another city port, in this case of the Indiaalso it explores t he characteristics and social and cultural impact of the infancy left as hard and dramatic soc ial reality. Finally, in the animated movie Persépolis (2000), it explores the infancy, the cultural cart ography of the subject and civil freedoms in anachronistic disjunction to the power of the Theocratic State. The Curatorium of this cinematographic triptych examine s, places and shows the folds and doublings of the memory and territory of heritage c ities cultural and archaeological of the humanity, which geographies are edged across milest ones of poverty and infantile marginality, which are represented liquefied to mar ket and religious´ fundamentalism.