Vol. 8 No. 15-16 (2019): Nº 15-16 April-October 2019

DOI: https://doi.org/10.22530/ayc.2019.N15-16

Published: 2021-05-17

Artículos

• Boulogne Billancourt in the period of the artist’s colony (1920-1930). Urban design and political expression in the Banlieue west of Paris

  María del Pilar Aumente Rivas

  7-36

  • HTML (Spanish)
  • JATS XML (Spanish)
  • PDF (Spanish)

• The gaze of the flâneur in the cinema of the nouvelle vague

  Rafael Gómez Alonso

  37-50

  • HTML (Spanish)
  • JATS XML (Spanish)
  • PDF (Spanish)

• Areas of artistic regeneration, intervention and communi-cation: from La Castellana to Madrid-Río

  María Dolores Arroyo Fernández

  51-82

  • HTML (Spanish)
  • JATS XML (Spanish)
  • PDF (Spanish)

• Less is more: Mies and the paradoxical construction of modern architecture

  Francisco Felipe Muñoz Carabias

  83-98

  • HTML (Spanish)
  • JATS XML (Spanish)
  • PDF (Spanish)

• The sailor as an homoerotic masculine symbol in the twentieth century visual arts

  Carlos Treviño Avellaneda

  99-128

  • HTML (Spanish)
  • JATS XML (Spanish)
  • PDF (Spanish)

• Cinema, Architecture, Ideology. An episode of the Spain of the Autarky

  Miguel Ángel Chaves Martín

  129-142

  • HTML (Spanish)
  • JATS XML (Spanish)
  • PDF (Spanish)

• Flowers of the Orient for the Old Lady (Felicidad Sánchez Pacheco)

  María Dolores Arroyo Fernández

  149-152

  • HTML (Spanish)
  • JATS XML (Spanish)
  • PDF (Spanish)

Reseñas

• Focos de creación, impulso e innovación: El Centro Niemeyer

  Jesús Pedro Lorente Lorente

  145-147

  • HTML (Spanish)
  • JATS XML (Spanish)
  • PDF (Spanish)