Music, Noises and Voices in Ingmar Bergman’s The Hour of the Wolf
DOI:
https://doi.org/10.22530/ayc.2020.17.565Keywords:
swedish cinema, bergman, music, soundscape, voices, character buildingAbstract
The Hour of the Wolf (1968) is analyzed as one of the key pieces in Bergman's filmic evolution, regarding the use of sound narrative: in this paper we explain the way music, noise and vocal nuances are used by the director as the main tools to structure and graduate the metaphorical enunciation of the story.
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