Jorge Oteiza: Spiritual, Empty, Active Construction

Authors

DOI:

https://doi.org/10.22530/ayc.2012.N2.126

Keywords:

Jorge Oteiza, sculpture, architecture, spirituality, void

Abstract

The city is one of the most passionately complex organisms that we can find among the creations attributable to human beings. Certainly, within it all kinds of relationships and tensions are found, starting from the conflict between the natural and the artificial and continuing down to the most basic stages of the interpersonal relationships we may consider. It is there where we must ask ourselves about the role that architecture plays.

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References

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OTEIZA, Jorge. Integración del arte en la arquitectura. Archivos Fundación Mu- seo Jorge Oteiza, E-11/42.1D.8008.

OTEIZA, Jorge (1952) Interpretación estética de la estatuaria megalítica americana. Cultura Hispánica. Madrid.

OTEIZA, Jorge. PUIG, Roberto. Memoria del Proyecto para el Monumento a José Batlle y Ordóñez, 1958.

OTEIZA, Jorge (1994). Quosque tándem...!. Ensayo de interpretación estética del alma vasca. Pamiela. Pamplona

PELAY OROZCO, Miguel. “Oteiza”. Gran Enciclopedia Vasca. Bilbao, 1979, p. 36.

RODRÍGUEZ, Jaime. “Oteiza en Irún 1957-1974”. Alberdania. Irún, 2003, p. 22.

SERRANO SUNER, Ramón (1961). “Dictámenes y recursos de casación civil I”. Ed. de Derecho Privado. Madrid.

Issue date

2012-10-01

Available online since

2014-07-29

How to Cite

Moral Andrés, F. (2012). Jorge Oteiza: Spiritual, Empty, Active Construction. ARTE Y CIUDAD. Revista De Investigación, 1(2), 67-76. https://doi.org/10.22530/ayc.2012.N2.126

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