ARTE Y CIUDAD. Revista de Investigación
type: channel
description: Arte y Ciudad. Revista de Investigación publishes articles and bibliographic reviews on art history and theory, visual arts, architecture, urban planning, communication,cultural studies, with special attention to contemporary art in all its manifestations and from any methodological approach, but also open to studies of different historical periods in which the city, the cities, and their artistic manifestations, have also played determining roles.
publisher: Grupo de Investigación Arte y Ciudad
language: en
publication name: ARTE Y CIUDAD. Revista de Investigación
issn: 2254-2930
items: Imaginaries and itineraries of consumption in heritage architecture
items: From Psicódromo to Pont Aeri. An urban history of mákina music in Barcelona
items: Everyday heritage: Representation and landscape in the region of Madrid
items: Inclusive city: the representation of urban diversity in the film Elemental (2023)
items: Malaga's Soho and the North-Eastern Quadrant of Se-ville's historic centre: two paradigmatic examples of cre-ative districts
items: The San Marcos Mill (Aguascalientes, Mexico), Living Heritage
items: Z??-BÍOS project for a biography of the ancient city
items: Heritage and Innovation in University Architecture in the City of Alcalá
items: Urban regeneration through creative and cultural industries. The case of Digbeth (United Kingdom), a space to live, work and enjoy
items: Crisis and tourist opportunities in Palma cloistered convents
items: Nomos and Ius as foundation of the Greek Polis and the Roman Civitas
items: Notes on the definition of common space
items: Sustainable Outdoor Advertising: an implementation proposal in the city
items: Good Christians, good citizens. Civic Monuments dedicated to priests in Costa Rica
items: Artistically Intervened Neighbourhoods during Late Francoism
items: Intervention Criteria in the Historic Centre of Ferrara: From Post-World War Reconstruction Policies to the Integral Rehabilitation Plan
items: The Russian and Soviet Poster from 1914 to 1939
items: Las murallas de Segovia
items: The bust of Pablo Iglesias in Puente Genil
items: El Barrio de las Letras
items: When the walls talk. An approach to mural painting in the public space during the Transition
items: Normas para la presentación de originales
items: Paris: Myth of Modernity
items: La Ciudad y sus docentes
items: Conservando el pasado, proyectando el futuro
items: Modifications of urban art and its impact on the City. Trans-formations in the case of Paseo Bandera (Santiago de Chile)
items: Examples for Housing: The article «The Housing Problem» between democratic Europe and francoist Spain
items: Housing and its patrimonial appreciation: A necessary reconfiguration
items: Fashion of the street: when the public space becomes private
items: Curating Heritage. On the Future of the Past in the Every-day Landscape of the Metropolis of Madrid

Imaginaries and itineraries of consumption in heritage architecture
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description: It is through the promotion of itineraries of consumption that physical and spatial structure of the architectural heritage in the historic centre of Aguascalientes is transformed. Although the new architectural restorations are questionable, interest in historic preservation is gradually increasing in academic scopes. However, Francisco I. Madero and Venustiano Carranza Avenues now offer new communication routes, especially designed for young people. It is noteworthy that, contrary to popular belief, the historic centre remains of great importance to younger generations, and they also enjoy heritage preservation. This can serve to develop intervention plans tailored to users. It is necessary to regulate intervention works in these spaces and incorporate new preservation alternatives related to the sustainable cities and circular economy. The culture of consumption is important today, as well as it is the preservation of the cultural capital of the city centre.
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creator: Alejandro Acosta Collazo
rights: Copyright (c) 2025 ARTE Y CIUDAD. Research Journal https://creativecommons.org/licenses/by-nc/4.0
date: 2025-12-16
publication date: 2025-12-16
starting page: 179
ending page: 202
doi: 10.22530/ayc.2025.28.778

From Psicódromo to Pont Aeri. An urban history of mákina music in Barcelona
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description: During the years before and after the Barcelona ‘92 Olympic Games, known as the years of Olympic Barcelona, there was a cultural manifestation that had a great impact on the forms of leisure of a stratum of Catalan society: mákina music. This research aims to study the relationship that existed between mákina music and the social and urban context in which it was produced and evolved. This relationship helps to understand from a new perspective the details of the emergence and evolution of this musical style and the spaces that contained it. Based on a review of the history of the mákina genre and the urban and political processes of Barcelona, a vector of analysis of its party spaces is traced, pointing out how the relationship between music-society-city has a direct translation in the typological evolution of the spaces of electronic dance music.
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creator: Javier Marcuello López
rights: Copyright (c) 2025 ARTE Y CIUDAD. Research Journal https://creativecommons.org/licenses/by-nc/4.0
date: 2025-12-16
publication date: 2025-12-16
starting page: 105
ending page: 138
doi: 10.22530/ayc.2025.28.775

Everyday heritage: Representation and landscape in the region of Madrid
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description: This article proposes a critical review of the role of representation in the affective bonding of communities with their landscapes in the region of Madrid: intangible cultural values linked to the creation, transformation and post-occupation of places, realities that defy the aesthetic or the geographical, or presences of the intangible, among others. To do so, it uses the idea of everyday heritage as a lens to reflect critically on the potential of representation —especially visual— in the consolidation of emotional, aesthetic and sensitive ties that transcend the community and that can elevate certain landscapes to the category of cultural property. Are there exceptional everyday experiences (perhaps, an oxymoron)? Is it possible to point out shared features or elements that generate similar affections? Or, following the approaches of the European Landscape Convention, can such everydayness remain so? Should it? Have they always been so?
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creator: David Escudero
creator: Diego Toribio Álvarez
rights: Copyright (c) 2025 ARTE Y CIUDAD. Research Journal https://creativecommons.org/licenses/by-nc/4.0
date: 2025-07-10
publication date: 2025-07-10
starting page: 117
ending page: 140
doi: 10.22530/ayc.2025.27.763

Inclusive city: the representation of urban diversity in the film Elemental (2023)
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description: The city, as a physical space, is a place of interaction and, as a social space, a territory characterized by the heterogeneity of its inhabitants. This condition gives rise to an interest in researching the concepts of diversity and inclusion so characteristic of the contemporary big city. The approach to this urban reality is carried out from a cinematographic perspective due to the importance of cinema as a socializing agent. Film analysis serves as a methodological tool to understand how the film Elemental (Peter Sohn, 2023), by Disney-Pixar, deals with urban social issues. This study investigates the sociocultural challenges facing the contemporary city based on the representation of urban diversity made by the animated film Elemental. The results point towards the configuration of a space for collaboration that promotes the common good, the governing principle of all community creation and the basic principle of the birth of cities. In addition, the general guidelines that lead to the conception of an inclusive narrative are discovered.
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creator: Marta De Miguel Zamora
creator: Augusto Almoguera Fernández
rights: Copyright (c) 2025 ARTE Y CIUDAD. Research Journal https://creativecommons.org/licenses/by-nc/4.0
date: 2025-07-10
publication date: 2025-07-10
starting page: 33
ending page: 60
doi: 10.22530/ayc.2025.27.760

Malaga's Soho and the North-Eastern Quadrant of Se-ville's historic centre: two paradigmatic examples of cre-ative districts
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description: This study analyzes the creative districts of Soho Málaga and the Northeast Quadrant of the Historic Center of Seville, aiming to understand the experiences and concerns of their creators. It explores the reasons for settling in these areas, perceptions of their future, and differences between the two districts. The methodology combines qualitative and quantitative analysis, based on 23 semi-structured interviews with key informants. Additionally, questionnaires were conducted to gather quantitative indicators, and two documentary short films were produced. The findings reveal that while creators value the creative diversity and collaboration in these neighborhoods, gentrification, touristification, and rising living costs are major concerns. Soho Málaga is perceived as a top-down district, while Seville is seen as bottom-up. Despite the challenges, there is general optimism about the revitalization of these neighborhoods, though tempered by the mentioned threats.
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creator: Antonio Castro-Higuera
creator: Luis Navarro-Ardoy
creator: José Patricio Pérez Rufí
rights: Copyright (c) 2025 ARTE Y CIUDAD. Research Journal https://creativecommons.org/licenses/by-nc/4.0
date: 2025-07-12
publication date: 2025-07-12
starting page: 7
ending page: 32
doi: 10.22530/ayc.2025.27.759

The San Marcos Mill (Aguascalientes, Mexico), Living Heritage
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description: At the beginning of the 20th century, Aguascalientes, Mexico, especially the capital of the state, had a great economic strength: with the arrival of the railroad and the establishment of the General Workshops of the Mexican Central Railway Company, commercial activity grew considerably, mainly around the railway facilities. Julio Díaz Torre, an Asturian merchant, arrived to the city in 1927 and after selling chiles and cereals, founded a flour mill that eventually had the name of the city’s patron saint, San Marcos (Saint Mark). San Marcos Mill, together with “La Perla” (“The Pearl”), “El Hércules” (“The Hercules”) and “La Harinera de Aguascalientes” (“The flour mill of Aguascalientes”) mills, were an important part of the industrial zone that settled next to the former railway workshops of which, only San Marcos Mill is still in operation. This paper focuses on the development of this milling company in the city and its evolution to this day, as well as the relevant role of its owner in the industry and commerce of Aguascalientes. The purpose is to expose the relevance of this industry and the historical-technological importance of the machinery with which it worked; its urban, economic and architectural role in the city, as a transforming and patrimonial element of it.
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creator: Marlene Barba Rodríguez
rights: Copyright (c) 2022 Arte y Ciudad https://creativecommons.org/licenses/by-nc/4.0
date: 2022-04-30
publication date: 2022-04-30
starting page: 117
ending page: 132
doi: 10.22530/ayc.2022.21.604

Z??-BÍOS project for a biography of the ancient city
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description: In this essay I try a hermeneutic approach to the hypothesis of a biography of historical spaces: historical, not only because they housed and were the scene of great feats - in the strictest herodotian sense - but also because the part of life that in them it has spilled, writing them, visiting them, studying them ... dreaming them ... from other spaces - some very distant - has, metaphorically, the character that in the subjects takes the name of "biography". In addition, taken in its general, holistic dimension, there would also be a consideration of Life, which involves all individual life. For this purpose I start from the etymology of two Greek words: ??? (Z??) that connotes life in general. That Z?? (cosmic-natural) manifested itself to the senses of the poet, the philosopher and the politician as ???? (bios) - individual life - imprint of that whole of the Z?? that is reflected in the mikro as in a mirror. At this point, I propose a biography of Istanbul - passing through Sumer- as a Greek city read by Christianity and Islam. In this writing styles and genres intersect: travel notes, historical-hermeneutical essay and poetic prose.
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creator: Yidy Páez Casadiegos
rights: Copyright (c) 2022 Arte y Ciudad https://creativecommons.org/licenses/by-nc/4.0
date: 2022-04-30
publication date: 2022-04-30
starting page: 21
ending page: 56
doi: 10.22530/ayc.2022.21.601

Heritage and Innovation in University Architecture in the City of Alcalá
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description: The architectural heritage of the University of Alcalá is a unique case of study. Its conception, development, and implementation, as well as the academic concepts and policies that determined its architectural model are the result of a complex balance between conservation-restoration, contemporary intervention, and new architecture. The works undergone by the University of Alcalá are not easy to catalog and although many of them weren´t successful either, they make up a unique architectural corpus, embedded both within the historical fabric of the city (city campus), and beyond (scientific and technological campus). The combination of both operations and their volume and scale have produced a series of university architectural interventions unparalleled in the recent Spanish educational scene. This article develops a critical review of them, in the context of a change of paradigm due to continuous economic and social crises.
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creator: Flavio Celis D'Amico
creator: Fernando da Casa Martín
creator: Ernesto Echeverría Valiente
rights: Copyright (c) 2022 Arte y Ciudad https://creativecommons.org/licenses/by-nc/4.0
date: 2022-04-30
publication date: 2022-04-30
starting page: 93
ending page: 116
doi: 10.22530/ayc.2022.21.603

Urban regeneration through creative and cultural industries. The case of Digbeth (United Kingdom), a space to live, work and enjoy
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description: The object of study of this research is cultural and creative districts, conceiving them as places of a high cultural and artistic level in which "a set of economic, non-economic and institutional actors [linked to the cultural and creative industries present in the districts] use some of the shared resources in order to develop a common project, which is simultaneously an economic project and a life project” (Lazzeretti, 2008, p. 328). In a global context where challenges related to inequality, transport, health and environment are increasingly appearing, creative and cultural industries have progressively attracted more and more interest, both at a political and an academic level (Gross, 2020). Especially during the last twenty years, great confidence has been placed in these industries to ensure the future of digital economy, for it is understood that they stimulate urban regeneration, are part of the solution for disparities in local and regional development (García Carrizo & Granger, 2019), suppose a way to address income inequality and a are catalysts to address exclusion and marginalization (Chapain & Comunian, 2010; García Carrizo, 2019, 2021a, 2021c). All this being said, this research analyses the case study of Digbeth, a cultural and creative district located in Birmingham, United Kingdom, which is considered the cradle of the Industrial Revolution. The history and evolution of this space. Special attention is focused on the fact that it is currently being positioned as an environment to live in, work and enjoy through its cultural and creative industries. In addition, this research analyses Digbeth’s conservation areas and its public art as a catalyst for urban regeneration.
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creator: Jennifer García Carrizo
rights: Copyright (c) 2021 Arte y Ciudad https://creativecommons.org/licenses/by-nc/4.0
date: 2021-04-30
publication date: 2021-04-30
starting page: 121
ending page: 152
doi: 10.22530/ayc.2021.19.589

Crisis and tourist opportunities in Palma cloistered convents
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description: Cloister convents in Palma are the main remains of the historic convent city and the future is discussed in this paper. More than twenty were identified in the 17th century, being the first one founded in the 13th century. A long period of decadence and losses began during the 19th century with the crucial moment of the disen tailment of Church, coming up to present days. Despite all this, evidence of that old conventual activity can still be found thanks to female closures remaining within the old walled city. The current crisis of these convents has initiated a debate in sear ch of solutions within the framework of tourism, cultural and religious sectors. The need to overcome this crisis and to create tourist and cultural products in the historical center of Palma can be the starting point to remedy the situation of the convent s.
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creator: María Margarita Novo Malvárez
rights: Copyright (c) 2017 ARTE Y CIUDAD. Revista de Investigación https://creativecommons.org/licenses/by-nc/4.0
date: 2017-10-01
publication date: 2017-10-01
starting page: 111
ending page: 134
doi: 10.22530/ayc.2017.N12.449

Nomos and Ius as foundation of the Greek Polis and the Roman Civitas
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description: Polis and civitas tend to translate is by city, as if both are questioned to the inmaterial structure. However, polis and civitas are not actual physical realities but immaterial order. This text aims to annotate the conceptual difference between both terms. A question is urban, material and geometric realit y of the city, and another is their religious, political, philosophical and sociological reality which depends. While the polis is determined by the nomos as principle, the civitas is articulated in the lathe to the ius. This is how it is understood that p olis and civitas may explain how different ways of understanding the coexistence and social relations .
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creator: Rafael García Sánchez
rights: Copyright (c) 2017 ARTE Y CIUDAD. Revista de Investigación https://creativecommons.org/licenses/by-nc/4.0
date: 2017-04-01
publication date: 2017-04-01
starting page: 199
ending page: 224
doi: 10.22530/ayc.2017.N11.411

Notes on the definition of common space
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description: In 1968 The Art Museum (MASP), of Lina Bo Bardi and the Faculty of Architecture (FAU -USP), of Joao Vilanova Artigas with Carlos Cascaldi were finshed in Sao Paulo. This yea r is very complex in the political situation of the country. Lina designed an architectural block from a collective conscience and defined a place for any activity of the citizens. This project altered its next space and the ideas about how should be publi c areas in the city. The building with form of prism of the Faculty of Architecture articulated the new plan of Architecture degree. This educational program defined a cooperative system of vertical and horizontal learning. The interior space of the buildi ng is the meeting point and maximum social activity. This place is key in the structure of the whole educational center and in the construction of this engine of social change. Both projects of hard geometries propose an integral construction of the public space that they lead to a social transformation. The first building presents an expansive proposal and the second one is more concentrated. Two objects that created new urban events where the union between the building and its immediate and common context is key to understand it.
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creator: Fernando Moral Andrés
rights: Copyright (c) 2017 ARTE Y CIUDAD. Revista de Investigación https://creativecommons.org/licenses/by-nc/4.0
date: 2017-04-01
publication date: 2017-04-01
starting page: 185
ending page: 198
doi: 10.22530/ayc.2017.N11.410

Sustainable Outdoor Advertising: an implementation proposal in the city
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description: Visual pollution plays an important role in determining the quality of the urban landscape and the image and reputation of cities. In this context, it is noteworthy that one of the greatest sources of visual pollution in the city is outdoor advertising. Therefore, in pursuit of a sustainable city model, it is necessary to implement advertising communication in urban spaces that achieves positive synergies and reduces said pollution.
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creator: Jennifer García Carrizo
rights: Copyright (c) 2017 ARTE Y CIUDAD. Revista de Investigación https://creativecommons.org/licenses/by-nc/4.0
date: 2017-04-01
publication date: 2017-04-01
starting page: 137
ending page: 156
doi: 10.22530/ayc.2017.N11.408

Good Christians, good citizens. Civic Monuments dedicated to priests in Costa Rica
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description: The present paper analyzes, both in statistical and compositional form, the sculptural monuments dedicated to priests in the territory of Costa Rica. In this way, it will be possibl e to verify to what extent the anticlerical liberal discourse that determined and determines the civic rights of the priests in Costa Rica, really affected in the creation of civic monuments in the country .
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creator: Leoncio Jiménez Morales
rights: Copyright (c) 2017 ARTE Y CIUDAD. Revista de Investigación https://creativecommons.org/licenses/by-nc/4.0
date: 2017-04-01
publication date: 2017-04-01
starting page: 33
ending page: 68
doi: 10.22530/ayc.2017.N11.404

Artistically Intervened Neighbourhoods during Late Francoism
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description: It took place, in the mid 1970s, an artistic public protest in the Barrio de Portugalete (Madrid), as a consequence of the Plan de Ordenación de la Ciudad Lineal. More tan fifty claiming murals were produced then, from well-known artists like Juan Genovés, Lucio Muñoz, Arcadio Blasco, José Duarte, José Vento, Aragonés, Alcaín, Ángel Orcajo, Zamorano, and so on. It was, for some of them, a way of drawing the attention to their problems; for others, a way of collectivce art, of popular art, of poetical mural art, of living art, arto n the street, open air museum and so many other Brands it received then.
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creator: Isabel García García
rights: Copyright (c) 2013 ARTE Y CIUDAD. Revista de Investigación https://creativecommons.org/licenses/by-nc/4.0
date: 2013-06-01
publication date: 2013-06-01
starting page: 611
ending page: 640
doi: 10.22530/ayc.2013.N3.1.302

Intervention Criteria in the Historic Centre of Ferrara: From Post-World War Reconstruction Policies to the Integral Rehabilitation Plan
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description: Despite the surprising scarcity and relative lack of interest that until recently has been evidenced in the Spanish-language bibliography, the historical importance of the city of Ferrara and its urban development leave no room for doubt. Jacob Burckhardt defined it in the 19th century as the first modern city in Europe, a definition that would be taken up a hundred years later by Bruno Zevi.
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creator: Miguel Ángel Chaves Martín
rights: Copyright (c) 2013 ARTE Y CIUDAD. Revista de Investigación https://creativecommons.org/licenses/by-nc/4.0
date: 2013-04-01
publication date: 2013-04-01
starting page: 153
ending page: 175
doi: 10.22530/ayc.2013.N3.146

The Russian and Soviet Poster from 1914 to 1939
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description: The Russian and soviet poster was one of the most influential propaganda media to accomplish the transformations that took place in this country since the beginning of the 20th century to the Russian Revolution and the establishment of soviet power. This article is the outcome of an research of the Russian-Sovier poster from the points of view of communication and aesthetics, with special emphasis on political communication. Contains a brief introduction to propaganda and commercial poster prior to Wold War I; an analysis of the propaganda poster in this war detailing authors, iconography and aesthetics; a study of the Russian Revolution and the Leninist period posters, including its role in political communication and its fit within the Russian avant-garde movements, as well as the drift that took it with the rise of Stalin until the beginning of the Second World War.
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creator: Carlos Treviño Avellaneda
rights: Copyright (c) 2022 Arte y Ciudad https://creativecommons.org/licenses/by-nc/4.0
date: 2022-04-30
publication date: 2022-04-30
starting page: 133
ending page: 172
doi: 10.22530/ayc.2022.21.605

Las murallas de Segovia
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description: Miguel Ángel Martín Blanco, Las murallas de Segovia. Proceso histórico constructivo [The Walls of Segovia: Historical Construction Process], Ed. Cervantes, Segovia, 2021. This monograph constitutes the most complete and rigorous study to date on the walls of Segovia, approaching its analysis from a cross-disciplinary perspective that combines architecture, archaeology, history, and urban planning. The author organizes the work around three axes — reading, understanding, and interpreting the wall — tracing its evolution as a constructive palimpsest from Celtiberian and Roman defenses, through the Hispano-Muslim wall and the Christian repopulation under Alfonso VI, to modern and contemporary interventions. The reviewer regards the work as a major scholarly contribution that, with rigor and precision, rescues from neglect a monument fundamental to the history and architecture of the city.
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creator: Miguel Ángel Chaves Martín
rights: Copyright (c) 2021 Arte y Ciudad https://creativecommons.org/licenses/by-nc/4.0
date: 2021-10-30
publication date: 2021-10-30
starting page: 155
ending page: 159
doi: 10.22530/ayc.2021.20.598

The bust of Pablo Iglesias in Puente Genil
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description: The purpose of this work is to study the bust dedicated to Pablo Iglesias, founder of the PSOE, made by the sculptor Enrique Moreno, located in the town of Puente Genil in Cordoba. In addition, an analysis of the political and social motivations that led to his commission will be presented. In relation to this, this process will be explained in detail through the presentation of the existing collected documents. Furthermore, the entry of the socialist ideology in the municipality and its presence in the Town Hall during the II Republic will be shown. Finally, with the aim of getting to know the sculptor's work, a formal and stylistic analysis will be made of it.
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creator: Rubén Serrano Ruz
rights: Copyright (c) 2021 Arte y Ciudad https://creativecommons.org/licenses/by-nc/4.0
date: 2021-10-30
publication date: 2021-10-30
starting page: 87
ending page: 100
doi: 10.22530/ayc.2021.20.595

El Barrio de las Letras
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description: Mariano Domínguez Alcocer, El Barrio de las Letras. Historia. Comercio. Ocio, Madrid, Turpin Editores, 2015, 128 pp., ISBN 978-84-94418419. The book is essentially a photographic compendium—117 color photographs and a map—that tours the monuments, historic and modern buildings, and commercial and leisure establishments of Madrid's Barrio de las Letras, accompanied by introductory texts and explanatory captions. The reviewer highlights the author's personal and unconstrained gaze: a former bookseller turned street photographer who states that his image selection was free of economic influence and shaped by the perspective of a frequent visitor. The book's launch at the Sociedad Cervantina also gave art historian Juan Carrete Parrondo the opportunity to offer an erudite history of the neighborhood, from its origins as the Barrio de San Juan to present-day challenges such as mass tourism and the lack of cultural facilities.
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creator: María Dolores Arroyo Fernández
rights: Copyright (c) 2015 ARTE Y CIUDAD. Revista de Investigación https://creativecommons.org/licenses/by-nc/4.0
date: 2015-10-14
publication date: 2015-10-14
doi: 10.22530/ayc.2015.N8.340

When the walls talk. An approach to mural painting in the public space during the Transition
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description: The spanish transition to democracy was connected with the appearance of mural painting in the urban space, that played a main role in the freedom of expression for political parties and citizens, as well as a means of bring closer artistic creation to whole society. This article try to expose a general approach to the development of mural painting in Spanish public space from the very last years of dictatorship to the Transition.
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creator: María Luisa Grau Tello
rights: Copyright (c) 2013 ARTE Y CIUDAD. Revista de Investigación https://creativecommons.org/licenses/by-nc/4.0
date: 2013-10-09
publication date: 2013-10-09
starting page: 71
ending page: 90
doi: 10.22530/ayc.2013.N3.142

Normas para la presentación de originales
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description: Normas para la presentación de originales
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rights: Copyright (c) 2012 ARTE Y CIUDAD. Revista de Investigación https://creativecommons.org/licenses/by-nc/4.0
date: 2013-05-04
publication date: 2013-05-04
doi: 10.22530/ayc.2012.N2.136

Paris: Myth of Modernity
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description: The city is a very recurrent topic in literary history. However, for more than a century, this microcosm has become the symbol of modernity, responding with very different ideological-spatial categories compared to tradition. The city has become such a hegemonic space that it has annulled the old country/city opposition in which the first element represented the aspiration towards a place of solitude or calm.
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creator: Mercedes López Suárez
rights: Copyright (c) 2012 ARTE Y CIUDAD. Revista de Investigación https://creativecommons.org/licenses/by-nc/4.0
date: 2012-10-01
publication date: 2012-10-01
starting page: 129
ending page: 138
doi: 10.22530/ayc.2012.N2.131

La Ciudad y sus docentes
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description: Huerta, Ricard. La Ciudad y sus docentes. Miradas desde el Arte y la Educación. Barcelona: Editorial UOC, 2015. The book proposes the city as a privileged setting for aesthetic experience and pedagogical practice, analyzing five cities—Buenos Aires, Lima, Montevideo, Santiago de Chile, and Valencia—through the voices of their teachers. The author builds a discourse that integrates art education, urban landscape, and sociocultural reality, combining direct fieldwork, interviews with teachers, and critical analysis of each urban context. The reviewer regards the work as an essential contribution that fills a gap in reflection on the city as an educational and artistic environment, highlighting its intellectual maturity relative to the author's earlier works.
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creator: Ricard Ramón Camps
rights: Copyright (c) 2017 ARTE Y CIUDAD. Revista de Investigación https://creativecommons.org/licenses/by-nc/4.0
date: 2017-10-01
publication date: 2017-10-01
doi: 10.22530/ayc.2017.N12.455

Conservando el pasado, proyectando el futuro
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description: Ascensión Hernández Martínez (coord.), Conservando el pasado, proyectando el futuro. Tendencias en la restauración monumental en el siglo XXI [Preserving the Past, Projecting the Future: Trends in Monumental Restoration in the Twenty-First Century], Zaragoza, Instituto Fernando el Católico, Diputación de Zaragoza, 2016, ISBN: 978-84-99114-19-4. The volume brings together ten contributions by Spanish and Italian specialists who reflect on the current state of monumental restoration, situated in the tension between traditional restoration culture and the new interventionist practices characteristic of postmodernity and the neoliberal context. The authors warn of the risk that contemporary actions on heritage become subordinated to mercantilist, touristic, or urban-image interests, to the detriment of cultural and historical values. The reviewer appraises the work positively as a rigorous and up-to-date intellectual corpus that calls for disciplinary ethics and a coherent method in the face of growing arbitrariness in the field of heritage conservation.
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creator: María Ángeles Layuno Rosas
rights: Copyright (c) 2017 ARTE Y CIUDAD. Revista de Investigación https://creativecommons.org/licenses/by-nc/4.0
date: 2017-10-01
publication date: 2017-10-01
doi: 10.22530/ayc.2017.N12.454

Modifications of urban art and its impact on the City. Trans-formations in the case of Paseo Bandera (Santiago de Chile)
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description: Visual Art as an intervention strategy in deteriorated areas has the capacity to generate reflection and dialogue as a strategy in urban rehabilitation. Artistic interventions in the city can provoke emotions and awaken people's curiosity, encouraging them to question or understand their environment as a mediator between the inhabitant's perception, architecture and social activity. This type of intervention, especially where color is the protagonist, requires constant improvement to avoid deterioration and reduce the level of perceptual impact, which can ultimately generate a loss in appropriation and identity. This is the case of Paseo Bandera that through Tactical Urbanism intervention methods generated, with the use of color and an artistic architectural intervention, an appropriation and identity and that allowed these strategies to remain over time and even change the use of definitively transforming a vehicular road into a pedestrian one in the historic center of the City of Santiago de Chile. The positive impact and its permanence over time subsequently motivated its surface to be increased and other new artistic interventions incorporated, within the same road, transforming it into a relevant space within the city. However, some of the new interventions have not managed to generate the same initial impact and have even been modified or intervened by third parties, which could mean a loss or a negative impact on this urban space. Through a review and morphological analysis of the interventions on Paseo Bandera it is possible to determine the impact they have generated in the space, the degree of appropriation and question their permanence over time.
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creator: Hernán Alejandro Elgueta-Strange
rights: Copyright (c) 2025 ARTE Y CIUDAD. Research Journal https://creativecommons.org/licenses/by-nc/4.0
date: 2025-12-16
publication date: 2025-12-16
starting page: 159
ending page: 178
doi: 10.22530/ayc.2025.28.777

Examples for Housing: The article «The Housing Problem» between democratic Europe and francoist Spain
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description: The following contribution, which was presented at the 10th International Conference on Art and the City held in Madrid on 17, 18 and 19 April 2024, revolves around the article ‘The Housing Problem’, published in 1953 in Cuadernos de Arquitectura. This text, in the form of a monograph, presented the conclusions of the Competition for Solutions to the Problem of Affordable Housing in Barcelona, which had been organised in the city in 1949 by the Official Association of Architects of Catalonia and the Balearic Islands. This competition arose in response to the housing crisis in Spain, especially in urban industrial areas. The text reintroduces, filtered through Catholic morality, previous architectural debates promoted by GATEPAC and CIAM, which had been silenced during the Franco regime. Accompanied by photographs of projects in democratic countries, a current reading of the article raises questions about how these images were accessed in a context of isolation due to autarky. This research seeks to trace the circulation of references to modern architecture before Spain's international reopening in the 1950s, highlighting the figure of Josep Maria Sostres, one of the winning architects in the competition. The methodology will include the analysis of national and international sources in accordance with the biographical journey of this architect of vast culture.
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creator: Andrea Palomino de la Fuente
rights: Copyright (c) 2025 ARTE Y CIUDAD. Research Journal https://creativecommons.org/licenses/by-nc/4.0
date: 2025-12-16
publication date: 2025-12-16
starting page: 139
ending page: 158
doi: 10.22530/ayc.2025.28.776

Housing and its patrimonial appreciation: A necessary reconfiguration
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description: The housing has been classified as heritage, largely because it belongs to a specific period, the distinction is automatically granted to buildings erected prior to the 20th century. These are considered to have historical and cultural richness; the house is inserted in the set of properties that are protected by institutions such as INAH or UNESCO. Thus, heritage is inextricably related to history. The objective of the text is, on the one hand, to make evident how research on housing within heritage is generally consequence of the safeguard granted to a historical context. given for example, to a historical context. This research addresses the new architectural approaches of the twentieth century, as well as the housing projects and their formal reconfiguration that considered what was established by the circumstances of the time, both in the academic, professional, and in the political- economic sphere, without this meaning leaving aside the roots and social identification, as well as its historical- cultural richness.
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creator: Rocío Ramírez Villalpando
rights: Copyright (c) 2025 ARTE Y CIUDAD. Research Journal https://creativecommons.org/licenses/by-nc/4.0
date: 2025-12-16
publication date: 2025-12-16
starting page: 7
ending page: 30
doi: 10.22530/ayc.2025.28.770

Fashion of the street: when the public space becomes private
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description: The streets are daily catwalks where fashion trends converge. This phenomenon, far from being a passing fad, has turned cities into veritable ephemeral stages where major brands can showcase their proposals in a wider environment than the traditional events. In the past, this practice was mainly reserved for small brands that did not have access to the events and platforms of the fashion weeks. However, post-pandemic restrictions have led to more open-air shows, turning squares and streets into ideal venues. Today, major fashion houses have adopted this format, sparking a debate about the privatisation of public space. This trend represents a redefinition of the relationship between the fashion industry and the urban environment, highlighting the tension between accessibility and exclusivity.
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creator: Marta Muñoz Martín
rights: Copyright (c) 2025 ARTE Y CIUDAD. Research Journal https://creativecommons.org/licenses/by-nc/4.0
date: 2025-12-16
publication date: 2025-12-16
starting page: 51
ending page: 64
doi: 10.22530/ayc.2025.28.772

Curating Heritage. On the Future of the Past in the Every-day Landscape of the Metropolis of Madrid
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description: The influx of landscapes into heritage studies has expanded the boundaries of both fields. Thus, the notion of heritage has been enlarged to include that which belongs to the networks of affection that communities form with the places they inhabit; that is, that which people value as it allow them to recognize themselves in their living environment. This paper offers a theoretical discussion on the identification and protection of values in the everyday landscapes of the metropolis of Madrid. To do so, it examines three recent exhibitions promoted by the CentroCentro cultural space: Madrid acuosa (2021), dedicated to water management in the city; La ciudad del Futuro: de la huerta a la mesa (2021-2022), about the agri-food gap between the city and the countryside; and Entre río y raíles (2022-2023), on the transformations since the nineteenth century of the railway corridor in the former river terraces of the Manzanares river. Although the exhibitions have been presented to the public as narratives on several current socio-environmental issues, both a detailed study of their contents and an analysis of their interpretive schemes allow us to identify consistent discourses of patrimonialisation. The study discusses the idea of curatorship as a critical practice of thinking about heritage from the past, in the present, for the future. This practice is based on collecting, selecting and attributing value to objects, places and practices from a transitory assemblage. In this way, curating is reformulated as a specific mode of reflexive knowledge production that infiltrates aesthetics in its method. At the same time, curatorship can leave the exhibition halls to explore the spatial dimension of heritage and contribute to imagining future landscapes for the metropolis.
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creator: Manuel Rodrigo De la O Cabrera
creator: Eduardo De Nó Santos
rights: Copyright (c) 2025 ARTE Y CIUDAD. Research Journal https://creativecommons.org/licenses/by-nc/4.0
date: 2025-07-10
publication date: 2025-07-10
starting page: 153
ending page: 178
doi: 10.22530/ayc.2025.27.765